The Art of Dropping Out
   
 
It is always painful for a player to drop out of a pot, especially when he has a good hand. This is particularly true in high-low because it is sometimes necessary to leave the field of action with a good hand in each direction.

As the end-game approaches (and the bet is about to be increased), you must value your hand in relation to the others. What may be a good hand when viewed alone-even a potential two-way winner in normal circumstances-may be a clear-cut "man-in-the-middle" hand.If there is one factor which determines a good high-low player, it is the discipline to drop out as soon as one of two things happens:

(1) His own hand is suddenly ruined;
(2) His own hand is good, but the other hands have suddenly become better.

This discipline is hard to come by because a hand may go from best to worst in a single round! A player who may have had the lead all the while may be placed in an inferior position after receiving a particular card even when he has filled his hand! Careful study of the advanced example on the next two pages will yield big dividends in your high-low game.

In this example, the game is seven-card high-low stud (pot-limit table stakes) with simultaneous declarations. (The considerations in this case would be the same for consecutive declaring.) There are eight players. A, B and C are conservative; D, E, F and G are somewhat loose. Your play, round by round:

Third card. You are dealt ? A ? 5 (concealed) and ? 4 (upcard). Your first impression should be that this is an excellent hand. You have an ace, a concealed two-flush, and three cards to a perfect low. F, who has an ace up, bets. G drops, and all others call. This is an unusually high number of callers on the first round, and you expect to find several fine hands around the table. Your attention should immediately be drawn to the fact that player A called with the ? K for his upcard-an exceptional circumstance, especially as you know A to be a tight player.
   
 
   

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